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Richard R. Brettell's innovative and beautifully-illustrated account explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum.
| Publisher | Oxford University Press |
| Publication date | April 1, 1999 |
| Edition | 1st |
| Language | English |
| Print length | 272 pages |
| ISBN-10 | 9780192842206 |
| ISBN-13 | 978-0192842206 |
| Item Weight | 2.31 pounds (1.05 kg) |
| Dimensions | 9.4 x 6.62 x 0.67 inches (23.9 x 16.8 x 1.7 cm) |
| Part of series | Oxford History of Art |
Provides an in-depth analysis of modern art movements essential for understanding historical contexts and theoretical frameworks.
Offers engaging insights and illustrations, perfect for those passionate about exploring modern art and its evolution.
Serves as a valuable resource for teaching modern art history and facilitating class discussions around significant movements.
May be too scholarly for those with a casual interest rather than an academic or in-depth engagement with art.
MODERN ART 1851-1929 (Oxford History of Art)
The Oxford History of Art's "Modern Art 1851-1929: Capitalism and Representation" has received mixed reviews. While some readers applaud the excellent packaging and quick delivery, others find the text hard to follow, characterized by the use of post-modern and cultural Marxist terminology. The book's author provides an interesting concept of reading photos and excellent knowledge of art, compared to painting and sculpture of that time. However, reviewers mention a lack of color photos and some sections that drone on about some things. The book effectively summarizes a wealth of information but may not be suitable for some individuals, such as students following assigned readings, due to the inConsistent page numbers and the fact that images are in black and white.
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